"Consisting of two long playing tracks (side A and B of the cassette), this release takes a couple of genres and runs with them so far that they are stretched beyond the breaking point, and they snap and the pieces fall together to form this wonderful and occasionally confusing collage of ideas. There are pretty clear divisions between the many short form songs, even though they are lumped together as just two tracks. Snippets of hip hop, musique concrète, bass music, ambient, etc. jump in and out without warning but manage to all contribute to the same atmosphere and attitude, with nothing feeling too out of place or unnecessary. Effect-laden samples and synths are the main focus for the majority of the play time. Overall, this is strikingly well done (slightly reminiscent of Dean Blunt) and worthy of repeated listens."
"The strangest things come in the mail, oftentimes without me expecting them. Such is the case with Sam Hatzaras’ 2007-2012. It’s a weird blend of 90s hip-hop, 80s new-wave, and 70s new-age. It’s Wu-Tang Clan sowing the assholes shut of Human League and feeding them tiny bits of Terry Riley. It’s spiritual in its connectivity, combining smatterings of Hatzaras’ varied projects into a colorful palette of musical visions. I’m tripping hard with Enya as we desperately reach to grope Dale Bozzio in a slo-mo plane. That’s the beauty of all of this: It’s EVERYTHING. As the modern music world reaches into the past and future for inspiration, Hatzaras teleports in a phone booth through epochal atmospheres to collect a who’s who of sounds. 2007-2012 is a touchstone to so many sounds, perhaps the Dead Sea Scrolls deciphered. This is a trip that doesn’t quit. Who would want it to? I always wanted to know what went on in Wonka’s tunnel, and Hatzaras is finally opening his factory to me. All I had to do was crawl through the rabbit hole of my mailbox."